Opisy(1)
After living in France for decades, Mira heads straight to Seoul, fleeing the abrupt end to her marriage in a Paris cafe. Except for Mira, time becomes a funny thing. She enters a bathroom and slips in and out between 2015 and 1997, until perhaps, a sudden phone call in the dark wakes her. As Mira wanders back and forth in time with the foggy confusion of jet lag, she meets her former classmates–now a successful filmmaker and theater director–and stares curiously at the vulnerabilities of her age: a thwarted acting career, peers who have surpassed her, an unfaithful husband, a nervous rekindling of an old flame. Drinking endless soju at a timeless bar, the friends relive glory days or wrangle tensely about acting, art, and sex, encounters which for Mira toggle between an animated past and a relinquished present. Through it all–strange visitors at night, a shoulder pain, an insistent phone–there’s something that Mira can’t quite place. (San Diego Asian Film Festival)
(więcej)Obsada
Ho-jeong Kim
Korea Południowa
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Ggotpineun bomi omyeon (2004)
Jeulgeoun insaeng (2007)
Dangshin geogi iteojoorraeyo (2016)
Ji-young Kim
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Najlepsze filmy:
Daenseoui sunjeong (2005)
Peulraenmaen (2013)
Dangshin geogi iteojoorraeyo (2016)
Yeong-min Kim
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Sarangeui bulsichak (2019) (serial)
Wiosna, lato, jesień, zima... i wiosna (2003)
Soochweein boolmyung (2001)
Alexandre Guansé
Najlepsze filmy:
Cloclo (2012)
Jeanne Poisson, Marquise de Pompadour (2006) (film telewizyjny)
Woon-jong Jeon
Korea Południowa
Najlepsze filmy:
7 ileui wangbi (2017) (serial)
Jangsoosanghwe (2014)
Chimmuk (2017)
Ye-eun Kim
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Najlepsze filmy:
Amsal (2015)
Sogongnyeo (2017)
Hashima (2017)