Nagrody - Academy Awards - 1945-1954
Nagrody krajowe
- Polskie Nagrody Filmowe: Orły
- Academy Awards
- Independent Spirit Awards
- British Academy of Film and Television Arts (BAFTA)
- British Independent Film Awards (BIFA)
- European Film Awards
- César Awards
- Goya Awards
- German Film Awards
- Robert Awards (Danish Film Awards)
- Jussi Awards
- Czech Lion Awards
- Sun in a Net Awards
- Hungarian Motion Picture Awards (Hungarian Film Awards)
- Filmfare Awards
- Guldbagge Awards
- Amanda Awards
- AACTA International Awards
- Hong Kong Film Awards
Festiwale filmowe
- Warszawski Międzynarodowy Festiwal Filmowy
- Cannes Film Festival
- Venice Film Festival
- Berlinale (Berlin International Film Festival)
- Toronto International Film Festival
- Tribeca Film Festival
- Sundance Film Festival
- Karlovy Vary International Film Festival (KVIFF)
- Zurich Film Festival
- San Sebastián International Film Festival
- Sitges Film Festival
- Shanghai International Film Festival
- Miami Film Festival
- Montreal World Film Festival
- Hong Kong International Film Festival (HKIFF)
- Melbourne International Film Festival (MIFF)
- Tallinn Black Nights Film Festival
- Ji.hlava International Documentary Film Festival
- Zlín Film Festival
- FAMUfest
- Norwegian International Film Festival Haugesund
- Avoriaz International Fantastic Film Festival
Nagrody krytyków
- Golden Globes
- Critics Choice Awards
- Florida Film Critics Circle Awards
- Los Angeles Film Critics Association Awards
- New York Film Critics Circle Awards
- Czech Film Critics Awards
Gatunkowa (specjalna nagroda)
Anti-awards
1954 - The 26th Academy Awards
Best Motion Picture of the Year
Stąd do wieczności
Best Motion Picture of the Year
Best Achievement in Directing
- Fred Zinnemann (Stąd do wieczności)
- George Stevens (Jeździec znikąd)
- Charles Walters (Lili)
- Billy Wilder (Stalag 17)
- William Wyler (Rzymskie wakacje)
Best Performance by an Actor in a Leading Role
- William Holden (Stalag 17)
- Marlon Brando (Julius Caesar)
- Richard Burton (Szata)
- Montgomery Clift (Stąd do wieczności)
- Burt Lancaster (Stąd do wieczności)
Best Performance by an Actress in a Leading Role
- Audrey Hepburn (Rzymskie wakacje)
- Leslie Caron (Lili)
- Ava Gardner (Mogambo)
- Deborah Kerr (Stąd do wieczności)
- Maggie McNamara (The Moon Is Blue)
Best Performance by an Actor in a Supporting Role
- Frank Sinatra (Stąd do wieczności)
- Eddie Albert (Rzymskie wakacje)
- Brandon De Wilde (Jeździec znikąd)
- Jack Palance (Jeździec znikąd)
- Robert Strauss (Stalag 17)
Best Performance by an Actress in a Supporting Role
- Donna Reed (Stąd do wieczności)
- Grace Grimaldi, księżna Monako (Mogambo)
- Geraldine Page (Hondo)
- Marjorie Rambeau (Torch Song)
- Thelma Ritter (Pickup on South Street)
Best Documentary Feature
Best Original Screenplay
- Charles Brackett, Richard L. Breen, Walter Reisch (Titanic)
- Betty Comden, Adolph Green (The Band Wagon)
- Richard Murphy (The Desert Rats)
- Harold Jack Bloom, Sam Rolfe (Naga ostroga)
- Millard Kaufman (Take the High Ground!)
Best Adapted Screenplay
- Daniel Taradash (Stąd do wieczności)
- Eric Ambler (The Cruel Sea)
- Helen Deutsch (Lili)
- John Dighton, Ian McLellan Hunter (Rzymskie wakacje)
- A.B. Guthrie Jr. (Jeździec znikąd)
Best Original Story
Best Cinematography (Color)
- Loyal Griggs (Jeździec znikąd)
- George J. Folsey (All the Brothers Were Valiant)
- Edward Cronjager (Beneath the 12-Mile Reef)
- Robert H. Planck (Lili)
- Leon Shamroy (Szata)
Best Cinematography (Black-and-White)
- Burnett Guffey (Stąd do wieczności)
- Hal Mohr (The Four Poster)
- Joseph Ruttenberg (Julius Caesar)
- Joseph C. Brun (Martin Luther)
- Henri Alekan, Franz Planer (Rzymskie wakacje)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Bronislau Kaper (Lili)
- Hugo Friedhofer (Above and Beyond)
- George Duning, Morris Stoloff (Stąd do wieczności)
- Miklós Rózsa (Julius Caesar)
- Louis Forbes (This Is Cinerama)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Sammy Fain (Calamity Jane) - "Secret Love"
- The Moon Is Blue - "The Moon Is Blue".
- Small Town Girl - "My Flaming Heart"
- Miss Sadie Thompson - "Sadie Thompson's Song (Blue Pacific Blues)"
- The Caddy - "That's Amore"
Best Scoring of a Musical Picture
- Alfred Newman (Call Me Madam)
- Adolph Deutsch (The Band Wagon)
- Ray Heindorf (Calamity Jane)
- Friedrich Hollaender, Morris Stoloff (The 5,000 Fingers of Dr. T)
- Saul Chaplin, André Previn (Kiss Me Kate)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
- Stąd do wieczności
- Calamity Jane
- Knights of the Round Table
- The Mississippi Gambler
- The War of the Worlds
Best Short Subject (One-reel)
- Merry Wives of Windsor, The
- Wee Water Wonders
- Joy of Living
- Herring Hunt
- Christ Among the Primitives
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Honorary Award
- Bell and Howell Company
- 20th Century-Fox Film Corporation
- Joseph I. Breen
- Pete Smith
1953 - The 25th Academy Awards
Best Motion Picture of the Year
The Greatest Show on Earth
Best Motion Picture of the Year
Best Achievement in Directing
- John Ford (Spokojny człowiek)
- Cecil B. DeMille (The Greatest Show on Earth)
- John Huston (Moulin Rouge)
- Joseph L. Mankiewicz (5 Fingers)
- Fred Zinnemann (W samo południe)
Best Performance by an Actor in a Leading Role
- Gary Cooper (W samo południe)
- Marlon Brando (Viva Zapata!)
- Kirk Douglas (The Bad and the Beautiful)
- José Ferrer (Moulin Rouge)
- Alec Guinness (The Lavender Hill Mob)
Best Performance by an Actress in a Leading Role
- Shirley Booth (Come Back, Little Sheba)
- Joan Crawford (Sudden Fear)
- Bette Davis (The Star)
- Julie Harris (The Member of the Wedding)
- Susan Hayward (With a Song in My Heart)
Best Performance by an Actor in a Supporting Role
- Anthony Quinn (Viva Zapata!)
- Richard Burton (My Cousin Rachel)
- Arthur Hunnicutt (The Big Sky)
- Victor McLaglen (Spokojny człowiek)
- Jack Palance (Sudden Fear)
Best Performance by an Actress in a Supporting Role
- Gloria Grahame (The Bad and the Beautiful)
- Jean Hagen (Deszczowa piosenka)
- Colette Marchand (Moulin Rouge)
- Terry Moore (Come Back, Little Sheba)
- Thelma Ritter (With a Song in My Heart)
Best Documentary Feature
Best Original Screenplay
- T.E.B. Clarke (The Lavender Hill Mob)
- Sydney Boehm (The Atomic City)
- Terence Rattigan (Bariera dźwięku)
- Ruth Gordon, Garson Kanin (Pat and Mike)
- John Steinbeck (Viva Zapata!)
Best Adapted Screenplay
- Charles Schnee (The Bad and the Beautiful)
- Michael Wilson (5 Fingers)
- Carl Foreman (W samo południe)
- John Dighton, Roger MacDougall, Alexander Mackendrick (The Man in the White Suit)
- Frank S. Nugent (Spokojny człowiek)
Best Original Story
- Frank Cavett, Fredric M. Frank, Theodore St. John (The Greatest Show on Earth)
- Mój syn John
- O włos
- The Pride of St.Louis
- The Sniper
Best Cinematography (Color)
- Winton C. Hoch, Archie Stout (Spokojny człowiek)
- Harry Stradling Sr. (Hans Christian Andersen)
- Freddie Young (Ivanhoe)
- George J. Folsey (Million Dollar Mermaid)
- Leon Shamroy (Śniegi Kilimandżaro)
Best Cinematography (Black-and-White)
- Robert Surtees (The Bad and the Beautiful)
- Russell Harlan (The Big Sky)
- Joseph LaShelle (My Cousin Rachel)
- Virgil Miller (Navajo)
- Charles Lang (Sudden Fear)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Dimitri Tiomkin (W samo południe)
- Miklós Rózsa (Ivanhoe)
- Max Steiner (The Miracle of Our Lady of Fatima)
- Herschel Burke Gilbert (The Thief)
- Alex North (Viva Zapata!)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Dimitri Tiomkin (W samo południe) - "High Noon (Do Not Forsake Me, Oh My Darlin')"
- Son of Paleface - "Am I in Love"
- Because You're Mine - "Because You're Mine"
- Hans Christian Andersen - "Thumbelina"
- Just for You - "Zing a Little Zong"
Best Scoring of a Musical Picture
- Alfred Newman (With a Song in My Heart)
- Walter Scharf (Hans Christian Andersen)
- Ray Heindorf, Max Steiner (The Jazz Singer)
- Gian Carlo Menotti (Medium, The)
- Lennie Hayton (Deszczowa piosenka)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
- Moulin Rouge
- The Greatest Show on Earth
- The Merry Widow
- Hans Christian Andersen
- With a Song in My Heart
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom i Jerry - Johann Mouse
- Little Johnny Jet
- Madeline
- Pink and Blue Blues
- The Romance of Transportation in Canada
Best Documentary Short Film
Honorary Award
- Jeux interdits
- Harold Lloyd
- Bob Hope
- Merian C. Cooper
- George Mitchell
- Joseph M. Schenck
1952 - The 24th Academy Awards
Best Motion Picture of the Year
An American in Paris
Best Motion Picture of the Year
Best Achievement in Directing
- George Stevens (Miejsce pod słońcem)
- John Huston (Afrykańska królowa)
- Elia Kazan (Tramwaj zwany pożądaniem)
- Vincente Minnelli (An American in Paris)
- William Wyler (Detective Story)
Best Performance by an Actor in a Leading Role
- Humphrey Bogart (Afrykańska królowa)
- Marlon Brando (Tramwaj zwany pożądaniem)
- Montgomery Clift (Miejsce pod słońcem)
- Arthur Kennedy (Bright Victory)
- Fredric March (Death of a Salesman)
Best Performance by an Actress in a Leading Role
- Vivien Leigh (Tramwaj zwany pożądaniem)
- Katharine Hepburn (Afrykańska królowa)
- Eleanor Parker (Detective Story)
- Shelley Winters (Miejsce pod słońcem)
- Jane Wyman (The Blue Veil)
Best Performance by an Actor in a Supporting Role
- Karl Malden (Tramwaj zwany pożądaniem)
- Leo Genn (Quo Vadis)
- Kevin McCarthy (Death of a Salesman)
- Peter Ustinov (Quo Vadis)
- Gig Young (Come Fill the Cup)
Best Performance by an Actress in a Supporting Role
- Kim Hunter (Tramwaj zwany pożądaniem)
- Joan Blondell (The Blue Veil)
- Mildred Dunnock (Death of a Salesman)
- Lee Grant (Detective Story)
- Thelma Ritter (The Mating Season)
Best Documentary Feature
Best Original Screenplay
- Alan Jay Lerner (An American in Paris)
- Walter Newman, Lesser Samuels, Billy Wilder (As w potrzasku)
- Philip Dunne (David and Bathsheba)
- Robert Pirosh (Go for Broke!)
- Clarence Greene, Russell Rouse (The Well)
Best Adapted Screenplay
- Harry Brown, Michael Wilson (Miejsce pod słońcem)
- James Agee, John Huston (Afrykańska królowa)
- Robert Wyler, Philip Yordan (Detective Story)
- Jacques Natanson, Max Ophüls (La Ronde)
- Tennessee Williams (Tramwaj zwany pożądaniem)
Best Original Story
- James Bernard, Paul Dehn (Seven Days to Noon)
- Bullfighter and the Lady
- The Frogmen
- Here Comes the Groom
- Teresa
Best Cinematography (Color)
- John Alton, Alfred Gilks (An American in Paris)
- Leon Shamroy (David and Bathsheba)
- William V. Skall, Robert Surtees (Quo Vadis)
- Charles Rosher (Show Boat)
- W. Howard Greene, John F. Seitz (When Worlds Collide)
Best Cinematography (Black-and-White)
- William C. Mellor (Miejsce pod słońcem)
- Franz Planer (Death of a Salesman)
- Mark N. Hopkins (The Frogmen)
- Robert Burks (Nieznajomi z pociagu)
- Harry Stradling Sr. (Tramwaj zwany pożądaniem)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Franz Waxman (Miejsce pod słońcem)
- Alfred Newman (David and Bathsheba)
- Alex North (Death of a Salesman)
- Miklós Rózsa (Quo Vadis)
- Alex North (Tramwaj zwany pożądaniem)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Hoagy Carmichael (Here Comes the Groom) - "In the Cool, Cool, Cool of the Evening"
- The Strip - "A Kiss to Build a Dream on"
- Golden Girl - "Never"
- Królewskie wesele - "Too Late Now"
- Rich, Young and Pretty - "Wonder Why"
Best Scoring of a Musical Picture
- Saul Chaplin, Johnny Green (An American in Paris)
- Oliver Wallace (Alicja w Krainie Czarów)
- Peter Herman Adler, Johnny Green (The Great Caruso)
- Alfred Newman (On the Riviera)
- Adolph Deutsch, Conrad Salinger (Show Boat)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
- Miejsce pod słońcem
- Kind Lady
- The Mudlark
- The Model and the Marriage Broker
- Tramwaj zwany pożądaniem
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Honorary Award
1951 - The 23rd Academy Awards
Best Motion Picture of the Year
Wszystko o Ewie
Best Motion Picture of the Year
Best Achievement in Directing
- Joseph L. Mankiewicz (Wszystko o Ewie)
- George Cukor (Born Yesterday)
- John Huston (Asfaltowa dżungla)
- Carol Reed (Trzeci człowiek)
- Billy Wilder (Bulwar zachodzącego słońca)
Best Performance by an Actor in a Leading Role
- José Ferrer (Cyrano de Bergerac)
- Louis Calhern (The Magnificent Yankee)
- William Holden (Bulwar zachodzącego słońca)
- James Stewart (Harvey)
- Spencer Tracy (Father of the Bride)
Best Performance by an Actress in a Leading Role
- Judy Holliday (Born Yesterday)
- Anne Baxter (Wszystko o Ewie)
- Bette Davis (Wszystko o Ewie)
- Eleanor Parker (Caged)
- Gloria Swanson (Bulwar zachodzącego słońca)
Best Performance by an Actor in a Supporting Role
- George Sanders (Wszystko o Ewie)
- Jeff Chandler (Złamana strzała)
- Edmund Gwenn (Mister 880)
- Sam Jaffe (Asfaltowa dżungla)
- Erich von Stroheim (Bulwar zachodzącego słońca)
Best Performance by an Actress in a Supporting Role
- Josephine Hull (Harvey)
- Hope Emerson (Caged)
- Celeste Holm (Wszystko o Ewie)
- Nancy Olson (Bulwar zachodzącego słońca)
- Thelma Ritter (Wszystko o Ewie)
Best Documentary Feature
Best Original Screenplay
- Charles Brackett, D.M. Marshman Jr., Billy Wilder (Bulwar zachodzącego słońca)
- Ruth Gordon, Garson Kanin (Adam's Rib)
- Virginia Kellogg, Bernard C. Schoenfeld (Caged)
- Carl Foreman (The Men)
- Joseph L. Mankiewicz, Lesser Samuels (No Way Out)
Best Adapted Screenplay
- Joseph L. Mankiewicz (Wszystko o Ewie)
- John Huston, Ben Maddow (Asfaltowa dżungla)
- Albert Mannheimer (Born Yesterday)
- Albert Maltz (Złamana strzała)
- Frances Goodrich, Albert Hackett (Father of the Bride)
Best Original Story
- Edna Anhalt, Edward Anhalt (Panic in the Streets)
- Riso amaro
- The Gunfighter
- Mystery Street
- When Willie Comes Marching Home
Best Cinematography (Color)
- Robert Surtees (King Solomon's Mines)
- Charles Rosher (Annie Get Your Gun)
- Ernest Palmer (Złamana strzała)
- Ernest Haller (The Flame and the Arrow)
- George Barnes (Samson i Dalila)
Best Cinematography (Black-and-White)
- Robert Krasker (Trzeci człowiek)
- Milton R. Krasner (Wszystko o Ewie)
- Harold Rosson (Asfaltowa dżungla)
- Victor Milner (The Furies)
- John F. Seitz (Bulwar zachodzącego słońca)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Franz Waxman (Bulwar zachodzącego słońca)
- Alfred Newman (Wszystko o Ewie)
- Max Steiner (The Flame and the Arrow)
- George Duning (No Sad Songs for Me)
- Victor Young (Samson i Dalila)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Ray Evans, Jay Livingston (Captain Carey, U.S.A.) - "Mona Lisa"
- The Toast of New Orleans - "Be My Love"
- Kopciuszek - "Bibbidi-Bobbidi-Boo"
- Singing Guns - "Mule Train"
- Wabash Avenue - "Wilhelmina"
Best Scoring of a Musical Picture
- Adolph Deutsch, Roger Edens (Annie Get Your Gun)
- Paul J. Smith, Oliver Wallace (Kopciuszek)
- Lionel Newman (I'll Get By)
- André Previn (Three Little Words)
- Ray Heindorf (The West Point Story)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Honorary Award
1950 - The 22nd Academy Awards
Best Motion Picture of the Year
Gubernator
Best Motion Picture of the Year
Best Achievement in Directing
- Joseph L. Mankiewicz (A Letter to Three Wives)
- Carol Reed (Stracone złudzenia)
- Robert Rossen (Gubernator)
- William A. Wellman (Battleground)
- William Wyler (Dziedziczka)
Best Performance by an Actor in a Leading Role
- Broderick Crawford (Gubernator)
- Kirk Douglas (Champion)
- Gregory Peck (Twelve O'Clock High)
- Richard Todd (The Hasty Heart)
- John Wayne (Sands of Iwo Jima)
Best Performance by an Actress in a Leading Role
- Olivia de Havilland (Dziedziczka)
- Jeanne Crain (Pinky)
- Susan Hayward (My Foolish Heart)
- Deborah Kerr (Edward, My Son)
- Loretta Young (Come to the Stable)
Best Performance by an Actor in a Supporting Role
- Dean Jagger (Twelve O'Clock High)
- John Ireland (Gubernator)
- Arthur Kennedy (Champion)
- Ralph Richardson (Dziedziczka)
- James Whitmore (Battleground)
Best Performance by an Actress in a Supporting Role
- Mercedes McCambridge (Gubernator)
- Ethel Barrymore (Pinky)
- Celeste Holm (Come to the Stable)
- Elsa Lanchester (Come to the Stable)
- Ethel Waters (Pinky)
Best Documentary Feature
Best Original Screenplay
- Robert Pirosh (Battleground)
- Sidney Buchman (Jolson Sings Again)
- Sergio Amidei, Federico Fellini, Alfred Hayes, Marcello Pagliero, Roberto Rossellini (Paisà)
- T.E.B. Clarke (Passport to Pimlico)
- Helen Levitt, Janice Loeb, Sidney Meyers (The Quiet One)
Best Adapted Screenplay
- Joseph L. Mankiewicz (A Letter to Three Wives)
- Robert Rossen (Gubernator)
- Cesare Zavattini (Złodzieje rowerów)
- Carl Foreman (Champion)
- Graham Greene (Stracone złudzenia)
Best Original Story
- Douglas Morrow (The Stratton Story)
- Clare Boothe Luce (Come to the Stable)
- Valentine Davies, Shirley W. Smith (It Happens Every Spring)
- Harry Brown (Sands of Iwo Jima)
- Virginia Kellogg (Biały żar)
Best Cinematography (Color)
- Winton C. Hoch (She Wore a Yellow Ribbon)
- Harry Stradling Sr. (The Barkleys of Broadway)
- William E. Snyder (Jolson Sings Again)
- Robert H. Planck, Charles Edgar Schoenbaum (Little Women)
- Charles G. Clarke (Sand)
Best Cinematography (Black-and-White)
- Paul Vogel (Battleground)
- Franz Planer (Champion)
- Joseph LaShelle (Come to the Stable)
- Leo Tover (Dziedziczka)
- Leon Shamroy (Prince of Foxes)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Frank Loesser (Neptune's Daughter) - "Baby, It's Cold Outside"
- It's a Great Feeling - "It's a Great Feeling"
- So Dear to My Heart - "Lavender Blue"
- My Foolish Heart - "My Foolish Heart"
- Come to the Stable - "Through a Long and Sleepless Night"
Best Scoring of a Musical Picture
- Roger Edens, Lennie Hayton (On the Town)
- George Duning, Morris Stoloff (Jolson Sings Again)
- Ray Heindorf (Look for the Silver Lining)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Juvenile Award
Honorary Award
1949 - The 21st Academy Awards
Best Motion Picture of the Year
Hamlet
Best Motion Picture of the Year
Best Achievement in Directing
- John Huston (Skarb Sierra Madre)
- Anatole Litvak (The Snake Pit)
- Jean Negulesco (Johnny Belinda)
- Laurence Olivier (Hamlet)
- Fred Zinnemann (Po wielkiej burzy)
Best Performance by an Actor in a Leading Role
- Laurence Olivier (Hamlet)
- Lew Ayres (Johnny Belinda)
- Montgomery Clift (Po wielkiej burzy)
- Dan Dailey (When My Baby Smiles at Me)
- Clifton Webb (Sitting Pretty)
Best Performance by an Actress in a Leading Role
- Jane Wyman (Johnny Belinda)
- Ingrid Bergman (Joan of Arc)
- Olivia de Havilland (The Snake Pit)
- Irene Dunne (I Remember Mama)
- Barbara Stanwyck (Pomyłka, proszę się wyłączyć)
Best Performance by an Actor in a Supporting Role
- Walter Huston (Skarb Sierra Madre)
- Charles Bickford (Johnny Belinda)
- José Ferrer (Joan of Arc)
- Oskar Homolka (I Remember Mama)
- Cecil Kellaway (The Luck of the Irish)
Best Performance by an Actress in a Supporting Role
- Claire Trevor (Key Largo)
- Barbara Bel Geddes (I Remember Mama)
- Ellen Corby (I Remember Mama)
- Agnes Moorehead (Johnny Belinda)
- Jean Simmons (Hamlet)
Best Documentary Feature
Best Original Screenplay
- Richard Schweizer, David Wechsler (Po wielkiej burzy)
- Frances H. Flaherty, Robert J. Flaherty (Louisiana Story)
- Malvin Wald (The Naked City)
- Borden Chase (Rzeka czerwona)
- Emeric Pressburger (Czerwone trzewiki)
Best Adapted Screenplay
- John Huston (Skarb Sierra Madre)
- Charles Brackett, Richard L. Breen, Billy Wilder (A Foreign Affair)
- Irma von Cube, Allen Vincent (Johnny Belinda)
- Richard Schweizer, David Wechsler (Po wielkiej burzy)
- Millen Brand, Frank Partos (The Snake Pit)
Best Cinematography (Color)
- Winton C. Hoch, William V. Skall, Joseph A. Valentine (Joan of Arc)
- Charles G. Clarke (Green Grass of Wyoming)
- William E. Snyder (The Loves of Carmen)
- Robert H. Planck (Trzej muszkieterowie)
Best Cinematography (Black-and-White)
- William H. Daniels (The Naked City)
- Charles Lang (A Foreign Affair)
- Nicholas Musuraca (I Remember Mama)
- Ted D. McCord (Johnny Belinda)
- Joseph H. August (Portrait of Jennie)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Brian Easdale (Czerwone trzewiki)
- William Walton (Hamlet)
- Hugo Friedhofer (Joan of Arc)
- Max Steiner (Johnny Belinda)
- Alfred Newman (The Snake Pit)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Ray Evans, Jay Livingston (The Paleface) - "Buttons and Bows"
- Casbah - "For Every Man There's a Woman"
- Romance on the High Seas - "It's Magic"
- That Lady in Ermine - "This Is the Moment"
- Wet Blanket Policy - "The Woody Woodpecker Song"
Best Scoring of a Musical Picture
- Roger Edens, Johnny Green (Easter Parade)
- Victor Young (The Emperor Waltz)
- Lennie Hayton (Pirat)
- Ray Heindorf (Romance on the High Seas)
- Alfred Newman (When My Baby Smiles at Me)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom i Jerry - The Little Orphan
- Mickey and the Seal
- Mouse Wreckers
- Robin Hoodlum
- Tea for Two Hundred
Best Documentary Short Film
Juvenile Award
Honorary Award
1948 - The 20th Academy Awards
Best Motion Picture of the Year
Gentleman's Agreement
Best Motion Picture of the Year
Best Achievement in Directing
- Elia Kazan (Gentleman's Agreement)
- George Cukor (A Double Life)
- Edward Dmytryk (Krzyżowy ogień)
- Henry Koster (The Bishop's Wife)
- David Lean (Wielkie nadzieje)
Best Performance by an Actor in a Leading Role
- Ronald Colman (A Double Life)
- John Garfield (Body and Soul)
- Gregory Peck (Gentleman's Agreement)
- William Powell (Życie z ojcem)
- Michael Redgrave (Mourning Becomes Electra)
Best Performance by an Actress in a Leading Role
- Loretta Young (The Farmer's Daughter)
- Joan Crawford (Possessed)
- Susan Hayward (Smash-Up: The Story of a Woman)
- Dorothy McGuire (Gentleman's Agreement)
- Rosalind Russell (Mourning Becomes Electra)
Best Performance by an Actor in a Supporting Role
- Edmund Gwenn (Cud na 34. ulicy)
- Charles Bickford (The Farmer's Daughter)
- Thomas Gomez (Ride the Pink Horse)
- Robert Ryan (Krzyżowy ogień)
- Richard Widmark (Pocałunek śmierci)
Best Performance by an Actress in a Supporting Role
- Celeste Holm (Gentleman's Agreement)
- Ethel Barrymore (Akt oskarżenia)
- Gloria Grahame (Krzyżowy ogień)
- Marjorie Main (The Egg and I)
- Anne Revere (Gentleman's Agreement)
Best Documentary Feature
Best Original Screenplay
- Sidney Sheldon (The Bachelor and the Bobby-Soxer)
- Abraham Polonsky (Body and soul)
- Ruth Gordon, Garson Kanin (A Double Life)
- Charlie Chaplin (Pan Verdoux)
- Sergio Amidei, Adolfo Franci, Cesare Giulio Viola, Cesare Zavattini (Sciuscià)
Best Adapted Screenplay
- Valentine Davies (Cud na 34. ulicy)
- Georges Chaperot, René Wheeler (La Cage aux rossignols)
- Herbert Clyde Lewis, Frederick Stephani (It Happened on 5th Avenue)
- Eleazar Lipsky (Pocałunek śmierci)
- Frank Cavett, Dorothy Parker (Smash-Up: The Story of a Woman)
Best Original Story
Best Cinematography (Color)
- Jack Cardiff (Black Narcissus)
- J. Peverell Marley, William V. Skall (Życie z ojcem)
- Harry Jackson (Mother Wore Tights)
Best Cinematography (Black-and-White)
- Guy Green (Wielkie nadzieje)
- Charles Lang (The Ghost and Mrs. Muir)
- George J. Folsey (Green Dolphin Street)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Miklós Rózsa (A Double Life)
- Hugo Friedhofer (The Bishop's Wife)
- Alfred Newman (Szpada Kastylii)
- David Raksin (Forever Amber)
- Max Steiner (Życie z ojcem)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Allie Wrubel (Song of the South) - "Zip-A-Dee-Doo-Dah"
- Good News - "A Gal in Calico"
- The Time, the Place and the Girl - "You Do"
- The Perils of Pauline - "Pass That Peace Pipe"
- Mother Wore Tights - "I Wish I Didn't Love You So"
Best Scoring of a Musical Picture
- Alfred Newman (Mother Wore Tights)
- Johnny Green (Fiesta)
- Ray Heindorf, Max Steiner (My Wild Irish Rose)
- Robert Emmett Dolan (Road to Rio)
- Daniele Amfitheatrof, Paul J. Smith, Charles Wolcott (Song of the South)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
- Climbing the Matterhorn
- Champagne for Two
- Fight of the Wild Stallions
- Give Us the Earth!
- A Voice Is Born
Best Animated Short Film
Best Documentary Short Film
Honorary Award
1947 - The 19th Academy Awards
Best Motion Picture of the Year
Najlepsze lata naszego życia
Best Motion Picture of the Year
Best Achievement in Directing
- William Wyler (Najlepsze lata naszego życia)
- Clarence Brown (The Yearling)
- Frank Capra (To wspaniałe życie)
- David Lean (Spotkanie)
- Robert Siodmak (The Killers)
Best Performance by an Actor in a Leading Role
- Fredric March (Najlepsze lata naszego życia)
- Laurence Olivier (Henryk V)
- Larry Parks (The Jolson Story)
- Gregory Peck (The Yearling)
- James Stewart (To wspaniałe życie)
Best Performance by an Actress in a Leading Role
- Olivia de Havilland (To Each His Own)
- Celia Johnson (Spotkanie)
- Jennifer Jones (Duel in the Sun)
- Rosalind Russell (Sister Kenny)
- Jane Wyman (The Yearling)
Best Performance by an Actor in a Supporting Role
- Harold Russell (Najlepsze lata naszego życia)
- Charles Coburn (The Green Years)
- William Demarest (The Jolson Story)
- Claude Rains (Notorious)
- Clifton Webb (The Razor's Edge)
Best Performance by an Actress in a Supporting Role
- Anne Baxter (The Razor's Edge)
- Ethel Barrymore (Kręte schody)
- Lillian Gish (Duel in the Sun)
- Flora Robson (Saratoga Trunk)
- Gale Sondergaard (Anna and the King of Siam)
Best Original Screenplay
- Muriel Box, Sydney Box (The Seventh Veil)
- Raymond Chandler (The Blue Dahlia)
- Jacques Prévert (Les Enfants du paradis)
- Ben Hecht (Notorious)
- Melvin Frank, Norman Panama (Droga do Utopii)
Best Adapted Screenplay
- Robert E. Sherwood (Najlepsze lata naszego życia)
- Sally Benson, Talbot Jennings (Anna and the King of Siam)
- Anthony Havelock-Allan, David Lean, Ronald Neame (Spotkanie)
- Anthony Veiller (The Killers)
- Sergio Amidei, Federico Fellini (Rzym, miasto otwarte)
Best Original Story
- Clemence Dane (Zupełnie obcy)
- The Dark Mirror
- The Strange Love of Martha Ivers
- Intruz
- To Each His Own
Best Cinematography (Color)
Best Cinematography (Black-and-White)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Hugo Friedhofer (Najlepsze lata naszego życia)
- Bernard Herrmann (Anna and the King of Siam)
- William Walton (Henryk V)
- Franz Waxman (Humoresque)
- Miklós Rózsa (The Killers)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Harryette Warren (The Harvey Girls) - "On the Atchison, Topeka and Santa Fe"
- Centennial Summer - "All Through the Day"
- The Dolly Sisters - "I Can't Begin to Tell You"
- Canyon Passage - "Ole Buttermilk Sky"
- Blue Skies - "You Keep Coming Back Like a Song"
Best Scoring of a Musical Picture
- Morris Stoloff (The Jolson Story)
- Robert Emmett Dolan (Blue Skies)
- Alfred Newman (Centennial Summer)
- Lennie Hayton (The Harvey Girls)
- Ray Heindorf, Max Steiner (Night and Day)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
- Boy and His Dog, A
- College Queen
- Hiss and Yell
- A Crime Does Not Pay Subject: The Luckiest Guy in the World
Best Animated Short Film
- Tom i Jerry - The Cat Concerto
- Musical Moments from Chopin
- John Henry and the Inky-Poo
- Squatter's Rights
- Walky Talky Hawky
Best Documentary Short Film
Juvenile Award
Honorary Award
1946 - The 18th Academy Awards
Best Motion Picture of the Year
The Lost Weekend
Best Motion Picture of the Year
Best Achievement in Directing
- Billy Wilder (The Lost Weekend)
- Clarence Brown (National Velvet)
- Alfred Hitchcock (Urzeczona)
- Leo McCarey (Dzwony Najświętszej Marii Panny)
- Jean Renoir (Południowiec)
Best Performance by an Actor in a Leading Role
- Ray Milland (The Lost Weekend)
- Bing Crosby (Dzwony Najświętszej Marii Panny)
- Gene Kelly (Anchors Aweigh)
- Gregory Peck (The Keys of the Kingdom)
- Cornel Wilde (A Song to Remember)
Best Performance by an Actress in a Leading Role
- Joan Crawford (Mildred Pierce)
- Ingrid Bergman (Dzwony Najświętszej Marii Panny)
- Greer Garson (The Valley of Decision)
- Jennifer Jones (Love Letters)
- Gene Tierney (Leave Her to Heaven)
Best Performance by an Actor in a Supporting Role
- James Dunn (A Tree Grows in Brooklyn)
- Michael Chekhov (Urzeczona)
- John Dall (The Corn Is Green)
- Robert Mitchum (The Story of G.I. Joe)
- J. Carrol Naish (A Medal for Benny)
Best Performance by an Actress in a Supporting Role
- Anne Revere (National Velvet)
- Ann Blyth (Mildred Pierce)
- Eve Arden (Mildred Pierce)
- Angela Lansbury (The Picture of Dorian Gray)
- Joan Lorring (The Corn Is Green)
Best Documentary Feature
Best Original Screenplay
- Richard Schweizer (Marie-Louise)
- Philip Yordan (Dillinger)
- Myles Connolly (Music for Millions)
- Milton Holmes (Salty O'Rourke)
- Harry Kurnitz (What Next, Corporal Hargrove?)
Best Adapted Screenplay
- Charles Brackett, Billy Wilder (The Lost Weekend)
- Ranald MacDougall (Mildred Pierce)
- Albert Maltz (Pride of the Marines)
- Leopold Atlas, Guy Endore, Philip Stevenson (The Story of G.I. Joe)
- Frank Davis, Tess Slesinger (A Tree Grows in Brooklyn)
Best Original Story
- Charles G. Booth (The House on 92nd Street)
- The Affairs of Susan
- A Medal for Benny
- Objective, Burma!
- A Song to Remember
Best Cinematography (Color)
- Leon Shamroy (Leave Her to Heaven)
- Charles P. Boyle, Robert H. Planck (Anchors Aweigh)
- Leonard Smith (National Velvet)
- Allen M. Davey, Tony Gaudio (A Song to Remember)
- George Barnes (The Spanish Main)
Best Cinematography (Black-and-White)
- Harry Stradling Sr. (The Picture of Dorian Gray)
- Arthur C. Miller (The Keys of the Kingdom)
- John F. Seitz (The Lost Weekend)
- Ernest Haller (Mildred Pierce)
- George Barnes (Urzeczona)
Best Achievement in Film Editing
- National Velvet
- Dzwony Najświętszej Marii Panny
- The Lost Weekend
- Objective, Burma!
- A Song to Remember
Best Achievement in Music Written for Motion Pictures (Original Score)
- Miklós Rózsa (Urzeczona)
- Robert Emmett Dolan (Dzwony Najświętszej Marii Panny)
- Louis Forbes (Brewster's Millions)
- Werner Janssen (Captain Kidd)
- Roy Webb (The Enchanted Cottage)
- R. Dale Butts, Morton Scott (Flame of Barbary Coast)
- Edward J. Kay (G.I. Honeymoon)
- Werner Janssen (Guest in the House)
- Daniele Amfitheatrof (Guest Wife)
- Alfred Newman (The Keys of the Kingdom)
- Miklós Rózsa (The Lost Weekend)
- Victor Young (Love Letters)
- Karl Hajos (The Man Who Walked Alone)
- Franz Waxman (Objective, Burma!)
- Alexander Tansman (Paris Underground)
- Miklós Rózsa, Morris Stoloff (A Song to Remember)
- Werner Janssen (Południowiec)
- Louis Applebaum, Ann Ronell (The Story of G.I. Joe)
- Hans J. Salter (This Love of Ours)
- Herbert Stothart (The Valley of Decision)
- Hugo Friedhofer, Arthur Lange (The Woman in the Window)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Richard Rodgers (State Fair) - "It Might as Well Be Spring"
- Here Come the Waves - "Accentuate the Positive"
- Tonight and Every Night - "Anywhere"
- Dzwony Najświętszej Marii Panny - "Aren't You Glad You're You"
- Why Girls Leave Home - "The Cat and the Canary"
- Earl Carroll Vanities - "Endlessly"
- Anchors Aweigh - "I Fall in Love Too Easily"
- Sing Your Way Home - "I'll Buy That Dream"
- The Story of G.I. Joe - "Linda"
- Love Letters - "Love Letters"
- Can't Help Singing - "More and More"
- Belle of the Yukon - "Sleighride in July"
- Wonder Man - "So in Love"
- San Antonio - "Some Sunday Morning"
Best Scoring of a Musical Picture
- George Stoll (Anchors Aweigh)
- Arthur Lange (Belle of the Yukon)
- Jerome Kern, Hans J. Salter (Can't Help Singing)
- Morton Scott (Hitchhike to Happiness)
- Robert Emmett Dolan (Incendiary Blonde)
- Ray Heindorf, Max Steiner (Rhapsody in Blue)
- Alfred Newman (State Fair)
- Edward J. Kay (Sunbonnet Sue)
- Edward H. Plumb, Paul J. Smith, Charles Wolcott (Trzej Caballeros)
- Marlin Skiles, Morris Stoloff (Tonight and Every Night)
- Walter Greene (Why Girls Leave Home)
- Louis Forbes, Ray Heindorf (Wonder Man)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
- Dzwony Najświętszej Marii Panny
- Flame of Barbary Coast
- Lady on a Train
- Leave Her to Heaven
- Rhapsody in Blue
- A Song to Remember
- Południowiec
- They Were Expendable
- Trzej Caballeros
- Three Is a Family
- The Unseen
- Wonder Man
Best Short Subject (One-reel)
- Stairway to Light
- Along the Rainbow Trail
- Screen Snapshots Series 25, No. 1: 25th Anniversary
- Story of a Dog
- White Rhapsody
- Your National Gallery
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom i Jerry - Quiet Please!
- Donald's Crime
- Jasper and the Beanstalk
- Life with Feathers
- Mighty Mouse in Gypsy Life
- Poet & Peasant, The
- Rippling Romance
Best Documentary Short Film
Juvenile Award
Honorary Award
- Walter Wanger
- The House I Live In
- Republic Studio, Daniel J. Bloomberg and the Republic Studio Sound Department
1945 - The 17th Academy Awards
Best Motion Picture of the Year
Idąc moją drogą
Best Motion Picture of the Year
Best Achievement in Directing
- Leo McCarey (Idąc moją drogą)
- Alfred Hitchcock (Łódź ratunkowa)
- Henry King (Wilson)
- Otto Preminger (Laura)
- Billy Wilder (Podwójne ubezpieczenie)
Best Performance by an Actor in a Leading Role
- Bing Crosby (Idąc moją drogą)
- Charles Boyer (Gasnący płomień)
- Barry Fitzgerald (Idąc moją drogą)
- Cary Grant (None But the Lonely Heart)
- Alexander Knox (Wilson)
Best Performance by an Actress in a Leading Role
- Ingrid Bergman (Gasnący płomień)
- Claudette Colbert (Since You Went Away)
- Bette Davis (Mr. Skeffington)
- Greer Garson (Mrs. Parkington)
- Barbara Stanwyck (Podwójne ubezpieczenie)
Best Performance by an Actor in a Supporting Role
- Barry Fitzgerald (Idąc moją drogą)
- Hume Cronyn (Siódmy krzyż)
- Claude Rains (Mr. Skeffington)
- Clifton Webb (Laura)
- Monty Woolley (Since You Went Away)
Best Performance by an Actress in a Supporting Role
- Ethel Barrymore (None But the Lonely Heart)
- Jennifer Jones (Since You Went Away)
- Angela Lansbury (Gasnący płomień)
- Aline MacMahon (Dragon Seed)
- Agnes Moorehead (Mrs. Parkington)
Best Documentary Feature
Best Original Screenplay
- Lamar Trotti (Wilson)
- Preston Sturges (Hail the Conquering Hero)
- Preston Sturges (The Miracle of Morgan's Creek)
- Richard Connell, Gladys Lehman (Two Girls and a Sailor)
- Jerome Cady (Wing and a Prayer: The Story of Carrier X)
Best Adapted Screenplay
- Frank Butler, Frank Cavett (Idąc moją drogą)
- Raymond Chandler, Billy Wilder (Podwójne ubezpieczenie)
- John L. Balderston, John Van Druten, Walter Reisch (Gasnący płomień)
- Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt (Laura)
- Irving Brecher, Fred F. Finklehoffe (Spotkamy się w St. Louis)
Best Original Story
Best Cinematography (Color)
- Leon Shamroy (Wilson)
- Allen M. Davey, Rudolph Maté (Cover Girl)
- Edward Cronjager (Home in Indiana)
- Charles Rosher (Kismet)
- Ray Rennahan (Lady in the Dark)
- George J. Folsey (Spotkamy się w St. Louis)
Best Cinematography (Black-and-White)
- Joseph LaShelle (Laura)
- John F. Seitz (Podwójne ubezpieczenie)
- Sidney Wagner (Dragon Seed)
- Joseph Ruttenberg (Gasnący płomień)
- Lionel Lindon (Idąc moją drogą)
- Glen MacWilliams (Łódź ratunkowa)
- Stanley Cortez, Lee Garmes (Since You Went Away)
- Harold Rosson, Robert Surtees (30 sekund nad Tokio)
- Charles Lang (The Uninvited)
- George J. Folsey (The White Cliffs of Dover)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Max Steiner (Since You Went Away)
- Morris Stoloff, Ernst Toch (Address Unknown)
- Max Steiner (The Adventures of Mark Twain)
- Dimitri Tiomkin (The Bridge of San Luis Rey)
- Arthur Lange (Casanova Brown)
- Hans J. Salter (Christmas Holiday)
- Miklós Rózsa (Podwójne ubezpieczenie)
- Walter Scharf, Roy Webb (The Fighting Seabees)
- Michel Michelet, Edward Paul (The Hairy Ape)
- Robert Stolz (It Happened Tomorrow)
- Freddie Rich (Jack London)
- Herbert Stothart (Kismet)
- Constantin Bakaleinikoff, Hanns Eisler (None But the Lonely Heart)
- David Rose (The Princess and the Pirate)
- Karl Hajos (Summer Storm)
- W. Franke Harling (Three Russian Girls)
- Edward Paul (Up in Mabel's Room)
- Michel Michelet (Voice in the Wind)
- Alfred Newman (Wilson)
- Miklós Rózsa (The Woman of the Town)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Jimmy Van Heusen (Idąc moją drogą) - "Swinging on a Star"
- Spotkamy się w St. Louis - "The Trolley Song"
- Follow the Boys - "I Couldn't Sleep a Wink Last Night"
- Follow the Boys - "I'll Walk Alone"
- Sweet and Low-Down - "I'm Making Believe"
- Cover Girl - "Long Ago and Far Away"
- Up in Arms - "Now I Know"
- Minstrel Man - "Remember Me to Carolina"
- Brazil - "Rio de Janeiro"
- Lady, Let's Dance - "Silver Shadows and Golden Dreams"
- Hollywood Canteen - "Sweet Dreams Sweetheart"
- Song of the Open Road - "Too Much in Love"
Best Scoring of a Musical Picture
- Carmen Dragon, Morris Stoloff (Cover Girl)
- Walter Scharf (Brazil)
- Constantin Bakaleinikoff (Higher and Higher)
- Ray Heindorf (Hollywood Canteen)
- Alfred Newman (Irish Eyes Are Smiling)
- Werner R. Heymann, Kurt Weill (Knickerbocker Holiday)
- Robert Emmett Dolan (Lady in the Dark)
- Edward J. Kay (Lady, Let's Dance)
- George Stoll (Spotkamy się w St. Louis)
- Hans J. Salter (The Merry Monahans)
- Leo Erdody, Ferde Grofé Sr. (Minstrel Man)
- Mahlon Merrick (Sensations of 1945)
- Charles Previn (Song of the Open Road)
- Louis Forbes, Ray Heindorf (Up in Arms)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
- Gasnący płomień
- Address Unknown
- The Adventures of Mark Twain
- Casanova Brown
- Laura
- No Time for Love
- Since You Went Away
- Step Lively
Best Achievement in Visual Effects
- 30 sekund nad Tokio
- The Adventures of Mark Twain
- Days of Glory
- Secret Command
- Since You Went Away
- The Story of Dr. Wassell
- Wilson
Best Sound Mixing
- Wilson
- Brazil
- Casanova Brown
- Cover Girl
- Podwójne ubezpieczenie
- His Butler's Sister
- Hollywood Canteen
- It Happened Tomorrow
- Kismet
- Music in Manhattan
- Voice in the Wind
Best Short Subject (One-reel)
- Who's Who in Animal Land
- Blue-Grass Gentlemen
- Jammin' the Blues
- Movie Pests
- 50th Anniversary of Motion Pictures
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom i Jerry - Mouse Trouble
- And to Think I Saw It on Mulberry Street
- Dog, Cat, and Canary
- Fish Fry
- Jak grać w football amerykański
- My Boy Johnny
- Swooner Crooner